The tree is a powerful symbol in human consciousness and one that often manifests in our stories. There, they are often used in journeys or as a connection, as a source of wisdom or redemption, or a representation of the mystery and untamed in Nature.
In Enid Blyton’s Faraway Tree series, a magical tree in an enchanted wood allows access to different lands, some pleasant and fun e.g. The Land of Birthdays, and others a nightmare for children e.g. The Land of Dame Slap, a horrid teacher. One must also return in time before the lands rotate, or else one waits another full rotation. Here the tree is similar to the conduit envisioned by shamans to access different worlds (The Meme of Trees), as well as there being a karmic concept of cycles, and consequence, if one stays too long in one land.
In The Fionavar Tapestry by Guy Gavriel Kay, the tree is a place of redemption and sacrifice, and one that can renew the spirit and allow contact with Nature. One who survives this sacrifice on the Summer Tree, the 3 days of being tormented by one’s self, without food or water, arises stronger, with powers and direct communication with the wildness of the land.
In Tolkien’s Middle-earth, trees, and especially forests, are embodiments of the mystery and power of Nature. Elves, who are more connected with natural magic, do not fear these ancient abodes and some make it their home. There are also Ents, tree-like creatures with a tonal language, having become the trees they herded. Large and incredibly strong, they protect the great forests and provide a face for Nature. The Ents, who are slow, but steady, have their anger roused by the deforestation by Saruman and the orcs, and wage war, showing a limit to their tolerance.
In M. Night Shyamalan’s The Happening (2008), people in cities and suburbia inexplicably fall dead leaving people fearful and confused. Terrorism is initially blamed, but the cause is traced to trees releasing a chemical in order to remove a threat (humans). Here, Nature is fighting back and this brings in similar concepts such as those mentioned in Lovelock’s Revenge of Gaia.
The Fountain (2006), by Darren Aronofsky, provides a surreal experience with the Tree of Life (inspired by the Kabbalah) an important symbol connecting the three periods (conquistador, the neuroscientist and the space traveller), as well as a paraphrase from Genesis 3:24, that eating from the Tree of Knowledge began human’s experience of duality and limitation.
In Terrence Malick’s visually stunning Tree of Life (2011), there are themes of existence and human suffering in a grand cosmology, while the large oak tree symbolizes connections between generations and the witnessing of family tragedy, while ever growing and being a source of life.
Even in ancient stories, The Epic of Gilgamesh, one of the earliest surviving works of literature from Mesopotamia, the hero has to overcome many obstacles, including a Great Flood, to reach a garden of jewel-laden trees where he leaves the physical world. In this ancient epic there is the same account of the flood myth as Genesis 6-8 as well as the account of Enkidu and Shamhat, similarly relating to Adam and Eve.
“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity… and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.” William Blake